Dark Horse by Katy Perry
Dark Horse is someone who always keep silent and very low-profile.However,he/she will win the competition in the end.
The girl on the CD cover is holding a flower and confessing to a guy,but at her back ,she is holding a knife.In my opinion,when a girl love a boy deeply,she will do anything to get him,even force him to love her with any method.However,when the boy betrays the girl,she will kill him like a dark horse.
Tuesday, August 19, 2014
Sunday, August 17, 2014
Pattern
For the intention to create interesting shadow casting ,I had study and do research on all kind pattern in all field such as nature,geometric and also mathematics.
Here are some interesting pattern which attracted me....(especially in dynamic form =p)
Here are some interesting pattern which attracted me....(especially in dynamic form =p)
Pattern which inspired by spiral form of vortex and human bones structure |
Pattern which inspired by dynamic lines and and reflection of geometric pattern |
Ecological pattern which inspired by different layers of plant.Vortex and spiral form create different layers of height of each part of plants. |
Project 2:Illusion By Light -Task 1
Idea Board-Design developement
In project 2 task 1 ,we were required to represent our ideas and development for light fitting on a A2 square board .We had to state the concept from project 1 that we wish to interpret.
Here are some of my sketches and concept model for my idea board.
Mock up model to show rough appearance and form of my abstract lighting
Rough composition of my idea board
Wednesday, August 6, 2014
In class exercise
Logo & name card
My logo
This is how I get my inspiration and idea to make own logo...kind of funny way
My own name card,simple but "one of a kind " =P
Tuesday, August 5, 2014
Degree Sem 2-Project 1
Project 1 -Task 2
In task 2,we have to figure out 3 main core ideas and do interpretation on our analysis and convert into abstract model.
Before I proceed to the phase of doing model,I had sketched some of my ideas about the the way to apply my understanding of mobius house on my abstract model.
My final abstract model!
My explanation of my abstract model. |
Write Up
My first idea is Endless circulation.As the model shown above,I had put some balls into the water tube and twisted it with 180 degree to show the shape and form of mobius band.After that ,I moved and rotated the model to let the balls flow in the water tube .The balls represented the elements in mobius band and it flowed by follow the shaped of mobius.My second idea is Space linked by common space.I linked the metal sheets together with different level of height to show that the first floor and second floor of mobius house are linked and connected to a large common space and in linear way.My third idea is Orientaion of house according to time.Ben Van Berkel did space planning of mobius house according to the activities that clients do at different time. Different colour of rigid sheet showed day and night of a day .The way I composed the orientation of my model is referring to the orientation ,form and shape of mobius house.
The video of my presentation.
Degree Sem 2-Project 1
Project 1 :Precedent Study-Task 1
In project 1 Task 1,we were required to form a group and choose a case study to do intepretion on it.My group members are Harry and Keith,we had to choose Mobius House by Ben Van Berkel as our case study.
Concept of mobius band |
Composition of mobius shaped |
Ordering principle:Transformation |
Qualities of architectural space shows how is the sunlight and wind penetrate into mobius house |
2 irregular shapes interlocked overlap and form Mobius shape of structure |
Materials:Concrete and glasses |
Multi-function space planning |
Overall concept and idea of mobius house.I made this board =p,is it nice? |
Presentation is done!Good job Keith and Harry! *Clap clap clap |
In 1993, a young couple commissioned the Dutch architect Ben van Berkel to design "a house that would be acknowledged as a reference for the renovation of the architectural language". It took the architect six years to fulfil his clients' wishes, creating a house based on the studies of a 19th-century German mathematician.
Curiously, the spatial concept of the new Mercedes-Benz Museum in Stuttgart - a radiant work by Ben van Berkel - demonstrates how the architect has drawn on and experimented with his memory of the Möbius House.
A new architectonic language
In addition to their wish for a new architectural language, the clients looked for an intense relationship with the landscape, as their two distinctive professions allowed them to and therefore to spend more time with their children. The chosen site was amongst meadows and tall beech trees in Het Gooi, a residential area near Amsterdam.
Ben van Berkel understood that the new architectural language he was asked for should be a direct consequence of their new way of life. The idea of two people moving along their own routes, but sharing certain moments - possibly also reversing roles at certain points - was elaborated into the built object. The house had to knit together the different activities which each member of the family was involved in at different times into one structure: work, sleep, socialise and family life, as well as the need to be alone. Thus the notions of time and duration were important concepts right from the beginning, and ones which would later influence how the house and its objects would be perceived from different viewpoints.
Diagram of 24 hours of living
The scheme to convey these features was found in the Möbius band, a diagram studied by the astrologist and mathematician, August Ferdinand Möbius (1790-1868). By taking a rectangular strip of paper and marking its corners, A -superior- and B -inferior- in one side, and C -superior- and D -inferior- on the other, the Möbius band is constructed by twisting and joining corners A with D, and B with C. The result is a strip of twisted paper, joined to form a loop which produces a one-sided surface in a continuous curve. It is a figure-of-eight without left or right, beginning or end.
By giving the Möbius band a spatial quality, the architect has designed a house that integrates the programme seamlessly, both in terms of circulation and structure. Movement through this concrete loop traces the pattern of one's day activities. Arranged over in three levels, the loop includes two studies (one on either side of the house for the respective professions), three bedrooms, a meeting room and kitchen, storageand living room and a greenhouse on the top, all intertwined during a complex voyage in time.
With its low and elongated outlines, the house provides a link between the different features of its surroundings. By stretching the building's form in an extreme way and through an extensive use of glass walls, the house is able to incorporate aspects of the landscape. From inside the house, it is as if the inhabitant is taking a walk in the countryside.
The house as an architectonic reference
Although the museum is on a much bigger scale than Möbius House, its spatial effect reminds one of the house. For the house, the Möbius strip suggested a plan that interlaced the different movements and activities of the family. For the museum, the trefoil offers a movement between forms of continuity and cross references, between open and closed spaces, which interweaves the different exhibitions organised by the museum. The visitor finds himself immersed in a continuous movement of shifting orientations and crossed viewpoints generated by the different notions of time that the museum recreates.
Curiously, the spatial concept of the new Mercedes-Benz Museum in Stuttgart - a radiant work by Ben van Berkel - demonstrates how the architect has drawn on and experimented with his memory of the Möbius House.
A new architectonic language
In addition to their wish for a new architectural language, the clients looked for an intense relationship with the landscape, as their two distinctive professions allowed them to and therefore to spend more time with their children. The chosen site was amongst meadows and tall beech trees in Het Gooi, a residential area near Amsterdam.
Ben van Berkel understood that the new architectural language he was asked for should be a direct consequence of their new way of life. The idea of two people moving along their own routes, but sharing certain moments - possibly also reversing roles at certain points - was elaborated into the built object. The house had to knit together the different activities which each member of the family was involved in at different times into one structure: work, sleep, socialise and family life, as well as the need to be alone. Thus the notions of time and duration were important concepts right from the beginning, and ones which would later influence how the house and its objects would be perceived from different viewpoints.
Diagram of 24 hours of living
The scheme to convey these features was found in the Möbius band, a diagram studied by the astrologist and mathematician, August Ferdinand Möbius (1790-1868). By taking a rectangular strip of paper and marking its corners, A -superior- and B -inferior- in one side, and C -superior- and D -inferior- on the other, the Möbius band is constructed by twisting and joining corners A with D, and B with C. The result is a strip of twisted paper, joined to form a loop which produces a one-sided surface in a continuous curve. It is a figure-of-eight without left or right, beginning or end.
By giving the Möbius band a spatial quality, the architect has designed a house that integrates the programme seamlessly, both in terms of circulation and structure. Movement through this concrete loop traces the pattern of one's day activities. Arranged over in three levels, the loop includes two studies (one on either side of the house for the respective professions), three bedrooms, a meeting room and kitchen, storageand living room and a greenhouse on the top, all intertwined during a complex voyage in time.
With its low and elongated outlines, the house provides a link between the different features of its surroundings. By stretching the building's form in an extreme way and through an extensive use of glass walls, the house is able to incorporate aspects of the landscape. From inside the house, it is as if the inhabitant is taking a walk in the countryside.
The perception of movement is reinforced by the changing positions of the two main materials used for the house, glass and concrete, which overlap each other and switch places. As the loop turns inside out, the exterior concrete shell becomes interior furniture - such as tables and stairs - and the glass facades turn into inside partition walls.
The contortions and twists in the house go beyond the mathematical diagram. They refer to a movement that has moulded a new way of life as a consequence of using electronic devices at work. Ben van Berkel has managed to give an additional meaning to the diagram of the Möbius band, where its new symbolic value - characterised by the blurred limits between working and living - corresponds to the clients' way of life.The house as an architectonic reference
The concept that generated the Möbius House did not expire with being built. Instead, it became further developed in the architect's mind and now, in the new Mercedes-Benz Museum in Stuttgart, illustrates the history of cars.
With the aim of creating a museum that could be read as an urban space where the is the protagonist, van Berkel drew three loops in section that were entwined in plan, just as if they were leaves on a tree. In doing so, he managed to achieve variations between the different levels, to challenge both the symmetry and the flatness of the floors, and to create a wide range of paths and shortcuts, such as those found in cities. The leaves of the tree are turned around a triangular void, producing six platforms which make up spaces of varying heights and creating a dynamic exhibition space.Although the museum is on a much bigger scale than Möbius House, its spatial effect reminds one of the house. For the house, the Möbius strip suggested a plan that interlaced the different movements and activities of the family. For the museum, the trefoil offers a movement between forms of continuity and cross references, between open and closed spaces, which interweaves the different exhibitions organised by the museum. The visitor finds himself immersed in a continuous movement of shifting orientations and crossed viewpoints generated by the different notions of time that the museum recreates.
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